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Interview with Gwen Hilton

MM) Sent to the Silkworm House transcends genre – the macabre, thriller and suspense, pulp, and then, gender. One could say your narrator’s voice is at once feminine and masculine. Are you mindful of the dichotomy while writing? Or is this incidental? It seldom occurs to me while reading fiction, but you tap into some deepthroated octaves, and the speaker is quite the enigma. Could you talk about the speaker in this novella?

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Interview with Elytron Frass & Charles N.

MM) Vitiators is the first graphic novel to be released under the expat label. Elytron, your last book, Liber Exuvia, was another unorthodox offering in book form. What draws you to more visual, textured, tactile, interactive forms as opposed to a traditional novel or fiction or poetry? As a collaboration, when and how was the idea conceived and what roles did each co-creator take? How did it develop over time?

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Interview with C.J. Christine

MM) F20 Grail 12 is beyond literature. C.J. Christine is a package deal. She makes music, she’s very sharp with art, fashion, design. She’s witty and knows stuff you don’t. I use the third person here because you’ve a few times talked about how writers only care about their writing, not the whole character or gestalt of what they are. The bit, so to speak. Your book has poetry that reads like rap lyrics,

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Interview with Teddy Burnette

MM) A novel that captures the ethereal, nearly imperceptible nerve pinch of romantic love and its vacant, autonomic qualities, like muscle memory of safety. Is Heartfelt Anything concerned with the  primal, involuntary properties of love? It feels tuned to a spectral frequency, the characters are identified by one letter. Is this a kind of universal story, or how does it engage with other romantic novels?

  • TB) Heartfelt Anything is tuned to the frequency of the character whose mind the story,
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